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    Ahlan wa sahlan — Welcome!
    Welcome to the world of Middle Eastern dance! Here you will find some articles to introduce you to the dance, the music, and the culture it exemplifies. Our collection of “Did You Know…” articles is full of cultural tidbits from past Beledi Beat Newsletters. To encourage your journey, we have included some links to a few informational sites and outside sources pertaining to Middle Eastern dance and culture. Start your tour of this fascinating world!
 

Introduction

Movements

Dance FAQs - Frequently Asked Questions

 
 
 
 

About Middle Eastern Dance, Movement, Styles, and Costumes

text by By Lisa Paulson

     

Shari & Helen duet from Sawwah Southern Theater 2007
Sawwah 2007

Three dancers blending into curtain
Abaya 2006

Three dancers against scrim showing how the magic is done.
Abaya 2006

  Introduction

The Music
Middle Eastern music can sound strange at first to American ears, because the notes of the scales often lie only a quarter-tone apart, rather than a half-step. What sounds like dissonance are actually extremely subtle differences in tone. Other characteristics include complex rhythms, use of improvisation and ornamentation, and a call-and-response form. (Click here for more information)

The Dance
The dancer literally embodies the music, as different body parts move to different rhythms. The dancer’s job is to increase the audience’s awareness of the music, while at the same time expressing the emotions behind it.

The Groove
When it all works together, Middle Eastern music and dance are virtually inseparable art forms - the music drives the dance, while the dancer simultaneously influences the musicians. Many times, the dancer and the musicians are improvising around a central theme, similar to American jazz musicians.

The Audience
The audience is the final piece of the puzzle, adding the sense of celebration and spontaneity that brings the performance to life.

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Movements

Costume-Colorful fabrics and shiny beads draw the eye to where the rhythm is being expressed, especially the hips! Veils can add a flowing or floating quality to the dancer’s movements.

Facial Expressions are a vital component of the dance. Arabic poetry often comments on how the eyes express emotions.

Hair may be covered for folkloric dances, uncovered for classical dances. Dancers in the Arabian Gulf region may toss their hair in time to the music.

Hands-Delicate hand movements ornament the dance. A dancer may also play the underlying rhythm of the music on her sagat (finger cymbals).

Arms create a frame that draws the eye to the isolated movements of the hips. They also move in sinuous, snake-like fashion, or in graceful curves around the body.

Torso-Unlike classical ballet, which focuses on moving the limbs in intricate patterns, Middle Eastern dance focuses the viewer’s gaze on the torso - the region of the body from the shoulders to the hips - because this is where the rhythms are most frequently displayed. So don’t be shy - go ahead and look! Remember that the point is not to expose the body but to illustrate the musical rhythms and express the joy of movement.

Upper Torso-A dancer can express a particular rhythm by lifting and dropping her sternum or rib cage, or she may use the rib cage to fluidly undulate the spine.

Belly-The belly generally moves in a rippling, fluttering, or undulating motion. The belly may move slowly or quickly depending on the tempo of the music.

Hips-When in doubt, look here! There is a vital relationship between the hips and the drums, because the hips usually move in time to the main drumbeat.

Legs-Although the lines of the torso are visible, it is traditionally considered inappropriate to display the legs. Hence, they are usually covered with swaths of fabric.

Feet-Unlike classical ballet, the point of Middle Eastern dance is not to move the body through space in patterns, but rather to embody the music. Although folkloric and group dancers may move about the room with quick and delicate steps, a solo dancer generally covers less space.

What’s the most amazing thing about Middle Eastern dance?
That all of the complex movements described above are being performed simultaneously, in a relaxed and joyous fashion, while still expressing the passion of the music.

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FAQs - Frequently Asked Questions

Where does the dance come from?
From every region of the Middle East, including Egypt, Turkey, Lebanon, Saudi Arabia, and North Africa. Middle Eastern dance also has branches in Central Asia and in nomadic cultures such as the Bedouin and Romany (Gypsy).

What are the different styles?
There are three main styles -folkloric, classical, and contemporary.

Folkloric-Dances based on distinct regional styles. Examples range from the lively rhythms and colorful costumes of Upper Egypt, to the zar, a dramatic dance ritual from North Africa, to khaleegy, a delicate, graceful dance performed in the Arabian Gulf by women dressed in flowing beaded gowns and accompanied by female musicians.

Classical-During the Ottoman Empire, which unified much of the Middle East under a single rule, many regional styles merged into the classical form of the dance, known as raqs sharqi. This urban form of the dance, considered more sophisticated than the folkloric, is generally improvised by a solo dancer and represents her personal interpretation of the music.

Contemporary-Today, dancers in both the Middle East and the United States are experimenting with new ways of presenting the dance, marrying the costumes, movements, music, and folktales of the Middle East with all the magic and technology of the Western stage. Like all great dance traditions, Middle Eastern dance is a living art form that is always adapting and changing while staying true to its heritage.

Where is the dance performed?
In the Middle East, dance and music are woven into the fabric of everyday life, a vital part of weddings, feast days, and family gatherings. However, only professional dancers perform for the general public. In the United States, dancers perform in theaters, restaurants, and at family celebrations in the Arab-American community.

Do the individual movements mean something?
No. Unlike classical Indian or Hawaiian dance, where a set vocabulary of gestures correspond to literal meanings, Middle Eastern dance is an abstract, musical form. The dancer is expressing emotions and illustrating the music rather than telling a story.

What’s that funny noise the audience keeps making?
That’s the zagroota (plural = zaghareet), the traditional ululating cry of Middle Eastern women. It is a way of expressing appreciation for the performer, like an audience yelling "Bravo!" at the opera.

How do you learn this dance?
Practice, practice, practice! As with all classical dances, strength, stamina, and continuous study are necessary to master the movements. But once onstage, the dancer wants to convey only grace, ease, and enjoyment.

What do we know about the history of the dance?
The earliest records are found in the tomb paintings of pre-Pharonic Egypt and the writings of Roman travelers. Dance and music flourished during the Golden Age of classical Islamic civilization, in the 8th through the 10th centuries. Over the centuries, distinct styles developed in different social classes. Lower-class dancers at street festivals were known for their raw, earthy style and folk instrumentation, while urban professional dancers refined the movements into a graceful and sophisticated art, accompanied by a classical orchestra. In the 1920s and 1930s, choreography became popular for the first time as dancers created extravagant numbers for film and television. The rise of Arab nationalism in the 1950s led many countries to create national folklore troupes, bringing the dance to a wider stage. Always a component of social life, the dance’s popularity as a public performance has waxed and waned many times over the years. Currently, censorship and a conservative climate restricts the movements of the dance, as well as the manner in which it is presented.

How can I learn more about the dance?

  • Take Classes! The Cassandra School offers a complete schedule of classes, or try your local community center for classes in your area.
  • Attend Performances! Middle Eastern dance is often performed at restaurants - again, check local listings for venues in your area.
  • Read About It! While good books on Middle Eastern dance can be difficult to find, there are many magazines dedicated to the art. In addition, there are many excellent books on Middle Eastern history, culture, and literature - check your local library.
  • Surf the Net! Start with our links page - we have links to many web sites and discussion groups on Middle Eastern dance, music, and culture.
  • Contact Us! We’d love to hear from you! Call, write, or E-mail us at:

cassandra@jawaahir.org
Jawaahir Dance Company
3010 Minnehaha Avenue
Minneapolis, MN 55406
Phone 612-872-6050

Now Available!

Yalla! Dance and Music of the Middle East, is a 6-page brochure explaining these rich and beautiful art forms. For information on how to order, see The Souk.

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Jawaahir Dance Company & The Cassandra School - 3010 Minnehaha Avenue, Minneapolis, Minnesota 55406    612-872-6050    | Contact Us |